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The study of medieval and early modern geographic space, literary cartography, and spatial thinking at a time of rapid digitization in the Humanities offers new ways to investigate spatial knowledge and world perceptions in pre-modern societies. Digitization of cultural heritage collections, open source databases, and interactive resources utilizing a rich variety of source materials-place names, early modern cadastral maps, medieval literature and art, Viking Age and medieval runic inscriptions-provides opportunities to re-think traditional lines of research on spatiality and worldviews, encourage innovation in methodology, and engage critically with digital outcomes. In this book, Nordic scholars of philology, onomastics, history, geography, literary studies, and digital humanities examine multiple aspects of ten large- and small-scale digital spatial infrastructures from the early stages of development to the practical applications of digital tools for studying spatial thinking and knowledge in pre-modern sources and societies.

Space perception. --- Spatial data infrastructures.

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This book is a collection of lessons on psychotic experience. A question of experience of living and communicating rather than of lessons in the traditional sense. His contributions are the expression of a culture that is both psychoanalytical and psychiatric but above all bound up with the human sciences.

Psychoanalysis. --- Space perception. --- Thought and thinking. --- Mentally ill. --- Solitude.

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During the past 25 years, the field of space and motion perception has rapidly advanced. Once thought to be distinct perceptual modes, space and motion are now thought to be closely linked. Perception of Space andMotion provides a comprehensive review of perception and vision research literature, including new developments in the use of sound and touch in perceiving space and motion. Other topics include the perception of structure from motion, spatial layout,and information obtained in static and dynamic stimulation.Spatial layoutStructure from motionInformation on stat

Affective and dynamic functions --- Picture perception --- Space perception --- Visual perception --- Perception des images --- Perception spatiale --- Perception visuelle --- Motion perception (Vision) --- Space perception. --- Picture perception. --- Visual perception.

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Local Lives contests dominant trends in migration theory, demonstrating that many migrant identities have not become entirely diasporic or cosmopolitan, but remain equally focused on emplaced belonging and the anxieties of being uprooted. By addressing the question of how migrants legally and symbolically lay claim to owning and belonging to place, it refocuses our attention on the micro-politics and everyday rituals of place-making, that are central to the construction of migrant identities.

Immigrants --- Emigration and immigration --- Space perception --- Cultural assimilation. --- Social aspects. --- Social aspects.

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Digital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange.Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today.

3-D films. --- Digital cinematography. --- Motion pictures --- Space perception and motion pictures. --- Aesthetics.